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1 p; m; P$ P$ j( q图片关键词：A Bronze & Corten Garden Sculpture 温哥华 现代 公园 花园 几何学 元素 直线线条 运动感 弧形结构 水池的边界 娱乐空间 艺术家大卫•鲁宾逊 青铜雕塑 雕塑 设计图 花园 雕塑 天空 房屋 花园雕塑 运动雕塑 雕塑意向图 青铜雕塑 Garden Sculpture 现代花园 运动雕塑 意向图" ~3 ^: s; C7 V5 t
9 s- H$ l9 C: ^0 {% P n8 FSangha和他的团队与Doray紧密合作提出了一个花园概念，基于几何学和精妙的对比理论。这个弧形结构成为了一个连接的元素，和这个房屋的直线线条形成对比，同时在这个区域营造出运动感。这个弧形、形结构将区域北端的马厩结合起来，延伸成为水池的边界，以这种方式来最大化后院的娱乐空间。这个弧形结构也横穿了这个区域南端的入口，成为Critical Mass的底座。
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该事务所和温哥华的艺术家大卫•鲁宾逊合作构思概念，而鲁宾逊想出了几个关于在拱形结构上放置什么的想法。最后选择的方案是Critical Mass。在玄武岩的基座上放置着43个30’ x 10’ x 16” 的柯尔顿钢片，让青铜雕塑安置在里面。# k3 g1 Q. o' ^# C, e b2 E! g8 i
Sangha and his team, working closely alongside with Doray, developed a garden concept rooted in strong geometry and subtle contrasts. The arc became a unifying element, which contrasted the rectilinear geometry of the home while creating a sense of movement throughout the property. As the design progressed, the site began to define itself. The arc stitched together the coach house at the northern end of the property and extended to define the pool’s boundaries, positioning itself in such a way as to maximize the entertaining space in the backyard. The arc also carried through to the property’s entrance at the southern end of the property and became the plinth for Critical Mass.. U$ T4 E+ K3 j& g9 j0 I
6 V9 `0 g( @7 y( a; vLocated on the non-view side of the property, the arc was designed with the intention of creating a moment or feeling, rather than with a specific artist in mind. The firm worked with Vancouver artist David Robinson on the conceptualization, and Robinson brought forth several ideas of what could be on the arc. The selected design was named Critical Mass. Mounted on a basalt base, the final bronze sculpture would stand within a 30’ x 10’ x 16” arc of 43 corten steel fins.( U, x2 b( D3 ?4 }
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