商业办公综合体|办公写字楼|入山那渡

外围由老青砖构筑的高大围墙形成的迂回走廊，代表了含蓄内敛的开始和外在。走廊结束即是一片空旷的内院，从墙面到地面都是青砖，经历过时间的洗刷，已经开始长出许多苔藓。建筑主入口即是玻璃幕墙，内部透出的是极具张力的钢铁大圆圈，重达7吨，只有两个支点支撑起整个造型，如山一般的楼梯内嵌在圆圈内，盘旋而上。
她主张“外收内放”，外部看似拒人于千里之外，内部却基本是一览无余，完全张开怀拥抱一切不请自来。建筑能够表达一个人的精神，这个建筑正是完全表达了设计师的性格。深入才能了解，她不主张直接无遮拦地表达，更欣赏桃花源记般的，初极狭，才通人。复行数十步，豁然开朗。
Located in Qishan Forest Park, Jiangyin City, the project is the office of zeng Rong, an independent female designer. First choose the environment, and then decorate the interior with the environment.
The circuitous corridor that the tall wall that builds by old green brick forms periphery, represented the beginning of implicit inside collect and exterior. At the end of the corridor is an empty inner courtyard, from the wall to the ground are blue brick, experienced time washing, has begun to grow a lot of moss. The main entrance of the building is a glass curtain wall, which reveals the tension of the steel circle, weighing seven tons, with only two fulcrums to support the shape. A mountain-like staircase is built into the circle and spirals upward.
She advocates 'retracting from the outside and retracting from the inside'. The outside seems to be far away from people, but the inside is basically at a glance, completely embracing everything uninvited. Architecture can express a person's spirit, and this building is a complete expression of the designer's personality. In-depth to understand, she does not advocate direct unrestrained expression, more appreciate the Peach Blossom Land records, the beginning of the extreme narrow, just general. Ten paces back and suddenly it was clear.
This is her design philosophy, her mood, all her first forays. The moving line of the building is completely attached to her inner mental state, and the building is likened to a life. If the building is a person, then the building has emotions. The way to let others know her is to get close to her and feel her. As the company's name, XANADU, is a place where memories will never be forgotten.
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“在只要挑战就是异类的社会中生存，需要一点幼稚的信仰。”——曾蓉Zero
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绮山森林公园大部分位于云亭镇花山村和佘城村，建设面积共6380亩。它是连接绮山、花山的绿色廓道，设计时充分考虑生态功能和防护功能，同时体现应天河、白屈港河滨江景观特色。该片绿地结合山体地形作自然式布置，开挖了450亩的湖面，沟通绿地内所有水系，形成水上旅游线。公园内道路全部环通，总长31公里。
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项目位于江阴市绮山森林公园内，西南方位有花山，东北方位有绮山，朝南向湖。入山那渡的设计完整地尊重了人与大自然的和谐共处，这种共处并不是物理层面，更多的是精神层面。
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山水，已经融入了中国人的性格。或许，等到世事看尽，我们仍要向山而归。入山那渡门前的湖景四季风雨变幻莫测，建筑的开窗方式，尽可能地放弃了所有的遮挡，并延伸出一部分屋檐，让柱子形成内退，从室内往外看更具开阔性。
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我们说“天人合一”，其实就是浸润在山水之间，感受天地的精神，而大山，往往成为我们精神的依归。古时士人功成身退，就是隐寂于山林，现代人总以为是归隐是失意的象征，事实上，这反而是士人的最高追求——在与自然的共处中，寻得最高的自由。
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中国文化建筑，除了传统的木结构建筑，青砖是最具典型特点的元素。设计师找来20万块老青砖，斑驳的痕迹被重新整理，堆砌出了新的围墙和造型，盘旋的廊道空间，对每一位来访者诉说着不一样的故事，有些人说，她是精神城墙；有些人说，她是历史记忆…
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进入建筑的第一瞬间，被一个巨大的钢铁圆环笼罩。如果说建筑需要灵魂，那么这个大圆环就是这栋建筑的灵魂，它不在外在表现，却是在入门的第一瞬间侵入人心。只有两个支点的钢圈，巧妙地斜靠在一根梁上，靠近地面的部分，像深陷入地底下一般。楼梯并没有扶手，入门的体验是属于险峻的，是需要驻足停留，留意自己的行为是否能确保行走的安全性，这是一个带有警觉性的空间。
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